An interesting phenomenon is happening slowly in Hollywood. The offspring of some of the movie industry’s best directors have begun to assert themselves with their own, distinct voices. Sofia Coppola (Lost in Translation), whose father is Francis Coppola of The Godfather fame, Nick Cassavetes (The Notebook) whose father John Cassavetes pioneered independent films, and now Jason Reitman whose father is Ivan Reitman of Ghostbusters fame, have all proven that talent can be in the genes. Reitman has perfectly realized his vision of a coming-of-age drama, Juno, based on a fabulous script by newbie, Diablo Cody. This small, original film has enough intelligence and creative filmmaking to stand among bigger budgeted studio releases as among the best of 2007.
Juno MacGuff (Ellen Page) is a sixteen year old high schooler whose planned sexual encounter results in an unplanned pregnancy that causes a sensation among her classmates and at home with her dad and stepmom. A smart, sassy-mouthed loner, Juno, after deliberating on whether or not to abort the unborn, takes matters in her own hands and decides to donate her baby to an adopting, yuppie couple, Mark and Vanessa. Life is not so easy as situations change suddenly, and the dynamics of Mark and Vanessa throw everything into a tailspin as Juno’s life becomes much more complicated. Wondering if couples can ever really stay together and if true love can exist, Juno makes some hard, mature choices in her life.
The movie is presented in a unique format with actual, script lines subtitling the bottom of every shot. It’s almost as if the DVD extras are being used onscreen. This device, while interesting, can be a bit annoying too. A series of ballads punctuate and underscore the narrative much like Cat Stevens did in Harold and Maude. It does enhance the story and mood. The structure of the narrative is sectioned by the seasons beginning with autumn.
High school life is portrayed in a convincing manner with the behaviors and interplay dead on target. Some individual scenes like Juno’s parents first hearing and fearing what big announcement Juno has in store for them, or the confrontation with the ultrasound technician are pretty amusing. And there are quiet, introspective moments like between Juno and her dad or with her ‘boyfriend’ Bleeker that are quite touching.
Ellen Page already made her mark with the recent Hard Candy and showed her versatility in X Men-The Last Stand, but to exhibit that rare combination of drama and humor in a believable manner is quite a feat. There is not one false note in her impressive performance. You begin to place yourself in her position and empathize through her joy and pain. The rest of the cast is strong, and each has good portions of dialogue to capitalize upon. J .K. Simmons is quickly becoming a go-to character actor as Juno’s dad, and you wish Allison Janney had a bit juicier part to fly with as the stepmom. Jennifer Garner and Jason Bateman are quite good as the prospective, adoptive parents. Michael Cera (Superbad) and Olivia Thirlby make convincing schoolmates.
We discover with Juno that life can be full of unexpected surprises and twists, and it is how we deal with those events that can have a profound and lasting effect on one’s future and happiness. (I can’t wait for writer Cody’s next story.) When you think about it, the screenplay rings true throughout without being preachy or awkward; it just sounds like it could really happen. That’s what makes Juno a terrific slice of life tale, a deceptively simple story with a rich core of acting and words. Oscars love this kind of independent jewel.
***1/2 of **** stars
