Mid Atlantic Nostalgia Convention is Growing

The 2010 installment of the Mid Atlantic Nostalgia Convention in Hunt Valley, MD, showed that this convention has come a long way and expanded from its modest beginnings in Aberdeen, MD. There were seemingly more attendees and vendors. The guests were intriguing as ever.


TV’s Green Hornet star Van Williams had to bow out beforehand due to a health consideration, but there were still well known stars of TV including Roy Thinnes (cult show The Invaders), Ed Nelson (one of the busiest actors in movies and TV in the 1950’s, 60’s, and 70’s), Dawn Wells, and Mark Goddard among others.

Dawn Wells played Mary Ann in Gilligan’s Island from 1964-1967. She looked terrific and was just as spunky and energetic as her character. She noted my Shirt with The Wild Wild West and mentioned that she was a guest on that show (as was co-star Alan Hale Jr.). She also noted how her cousin was also named Clint. No surprise that her autograph line was the longest all day.

Having been a big fan of Irwin Allen’s Lost in Space, Mark Goddard (Major West) looked incredibly youthful for his age of 74. His favorite episode was “The Anti Matter Man”. He said he would hang out with series star Guy Williams at the track with their wives. He never really saw much of producer Allen who had several projects going at the time, and he marvelled at how the special effects relied on live action models rather than today's computer generated effects.

Everyone seemed to be having fun and sharing memories of their favorite TV or movie moments. This Hunt Valley hotel location was spacious and ideal for this growing event; it looks like this convention has found a home for next year.

Duvall at the Height of His Power in GET LOW

Robert Duvall is one of the best American actors of the past half century. Witness his roles in To Kill a Mockingbird, The Godfather I and II, The Great Santini, Apocalypse Now, Open Range, and a full TV resume including Lonesome Dove. In Get Low, he gives a measured, understated performance as a mysterious, old hermit who makes an unusual, life changing decision. This independent film is deceptively simple and honest. Yet it is done extremely well and leaves a deep feeling about life’s regrets.

After the brief image of a house burning down, we flash forward to a rural setting in the 1930’s to see an old home inhabited by a reclusive, elderly man, Felix Bush (Duvall), whose disheveled appearance and reputation are the stuff of rumor and legend. Are the stories about him true? Is he a killer? Haunted by visions of a woman, he decides to arrange his own funeral before his actual demise. The funeral home is run by Frank Quinn (Bill Murray) and his loyal assistant, Buddy Robinson (Lucas Black). Felix wants to invite everyone who has a story about him to tell. He sweetens the pot by offering to raffle off his vast acreage of property. He also runs into an old acquaintance, Mattie (Sissy Spacek), who has strong ties to him from way back. He later pays a visit to a preacher in another town in hopes of having him conduct the eulogy. As the plot thickens, we find that Felix is hiding a painful secret that will have the town reexamining its prejudices and assumptions about a tortured soul who is struggling for his own redemption before it’s too late.

Novice director Aaron Schneider, whose previous credits were as a cinematographer of various TV shows and movies, does a solid job with a modest budget and a lean story and script by Chris Provenzano and C. Gaby Mitchell.

It’s nice to see veteran actors like Duvall, Spacek, and Murray play older characters, wrinkles and all with enthusiasm and conviction. Duvall does a splendid job of presenting a cipher of a man whose words are sparse and direct and slowly, as the story develops, begins to open up to reveal a complex person replete with feelings of guilt. There are reasons perhaps for why he is the way he is. Duvall is destined for an Oscar nomination, and Spacek arguably deserves a nod for strong support. Bill Murray as the funeral director does a convincing job as a businessman who isn’t quite a villain or hero. He is carving a nice career niche as a dramatic character actor (aside from being a comedic superstar).

The film successfully evokes the period of depression era, small town USA. There are few items to quibble about; however, a violent break in at the funeral home doesn’t really forward the plot and is never fully explained.

There are similarities in Felix and the noble character in The Ballad of Cable Hogue. In both films, the protagonist is an aged, stubborn loner, and in the end, as his life is in its twilight, the truth sets him free. Perhaps the lesson here is that each person has a story, and some of the stories are not always evident. With Get Low, we get to see the bittersweet tale of a broken heart. Your heart will be moved too.

*** of **** stars (add ½ star for Duvall’s performance)