Ah Halloween, what a fun celebration. A chance to be
ghoulish and to eat candy treats and dress up different. Here are three scary
classics. The original The Thing from 1951 which I can never ever get tired of
and holds up beautifully. Then there is one of Vincent Price's best, the campy
The Abominable Dr. Phibes from 1971. And 1979 gave us the bizarre scifi horror
cult film (J.J. Abrams loves it) Phantasm. Forget logic and reality. Great fun
and scares all.
A personal website of movie reviews and observations by a movie fan. Primarily a movie site, there will be other entertainment related segments particularly with respect to television and cable/satellite broadcasts. Occasionally, other areas may involve sports, news, and just about anything that strikes my fancy. I hope you find this site useful for information and in helping to determine if a film is worth your while. I appreciate your interest and feedback.
Tuesday, October 30, 2018
Monday, October 22, 2018
Cooper’s Impressive A STAR IS BORN
Actor
Bradley Cooper makes a strong directorial debut with his remake of the classic
Hollywood story, A Star Is Born. Not
only does he star and co-write the screenplay, but proves an adept singer/songwriter.
Jackson Maine (Cooper), a superstar singer, discovers Ally (Lady Gaga), a talented
singer/writer who languishes in obscurity under superficial makeup until Jack
looks deep in her soul. When the recording industry takes notice
and grooms her for stardom, Jack’s personal, family demons catch up to him and
drag him to an alcoholic spiral much to Ally’s embarrassment as she celebrates success
and accolades. Through their struggles and
pain, all that remains is their bond of love.
Early
on, you can tell this film is directed with a sure hand, and it actually
elevates to another level in the second half.
Ironically it was slated for director Clint Eastwood, whose collaboration
on American Sniper may have
benefitted Cooper. Nothing feels phony or forced here, and the sharp screenplay
depicts the price of fame and the anguish of addiction and rehab.
The
performances are authentic; Gaga convincingly embodies a yearning artist with
vulnerability and strength, and her
musical moments particularly in the finale are standouts. Cooper,
a pretty good singer in his own right (who knew?), gives one of his best
displays of acting. Sam Elliott has
his best role in years as Jack’s older brother.
Major Oscar
nominations are likely (especially
director Cooper and actress Gaga), and the question is not if it will win Best Song,
but rather how many songs will get nominated. With actors Ben Affleck and John
Krasinski becoming legitimate directors, Cooper
joins their ranks with this labor of love, a bona fide hit.
***1/2
of **** stars (add ½ * for Cooper and Gaga fans)
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