A loving vignette
of childhood experiences with the family nanny, Roma is a triumph of fond memory and maternal love by master
director, Alfonso Cuarón (Gravity) at
the top of his game who also wrote, produced, shot, and co-edited this tribute!
In
the early 1970s in Mexico City, a busy, middle class family has a nanny, Cleo
(Yalitza Aparicio), who cares for the children and takes care of chores. It is a time of change with political upheaval
in city streets and the constant threat of violence. Cleo is
involved in many family activities and acts as surrogate mother to these
children who have become her defacto family. On a personal side, she deals
with romance and disappointment while maintaining her job, and there are moments
when all aspects converge. After a road
trip to visit relatives, the family has its own upheaval, and Cleo is the one
constant and savior through it all.
The
nostalgic moments are lovingly recreated in impeccable detail, and the black
and white cinematography is vibrant and exquisite like still life. There is a documentary feel to it with some
of the best moments (including a harrowing moments at a hospital and the beach)
in scenes bereft of dialogue (Spanish language).
As
Cleo, first time actress Aparicio is a natural on the screen with an authentic
performance. The film is told from her point of view with the
sights and distinct sounds of local street scenes; we experience her joys
and sadness especially when tragedy strikes.
Roma is the latest in a group of
standout, semiautobiographical films like The
400 Blows and Hope and Glory that
are precious time capsules that capture youthful pain and joy. This
labor of love is Cuarón’s most personal film and perhaps his best, a
masterpiece.
****
of **** stars
