You would think that the man who redefined science fiction and action films over the past quarter century (Terminator, True Lies) and culminated with the best hat trick in movie history with Titanic garnering superlative reviews, earning the all-time box office, and winning a record 11 Oscars, would be satisfied and perhaps go on cruise control with a smaller film. But no, Cameron aims higher with a thrilling adventure that combines game changing special effects that have to be seen on the big screen in 3-D.
In the not too distant future, Jake Sully (Sam Worthington), a physically challenged soldier, volunteers for an unusual mission on a far away planet, Pandora, a beautiful yet dangerous world where the blue skinned Na’vi are a primitive, enlightened race who are at one with nature and its balance of life as epitomized by the Tree of Souls, a kind of fiber optic tree that has a consciousness. Utilizing a unique technology that enables Sully to become sentient in a genetically engineered substitute Na’vi body or avatar, he is deposited on Pandora to assimilate himself into their culture. Led by a stern, no-nonsense scientist Dr. Grace Augustine (Sigourney Weaver), Jake learns the ways of the Na’vi people especially through Neytiri (Zoe Saldana), a proud warrior (much like the heroine in Heavy Metal) whose father is the tribal leader. You just know that Jake and Neytiri are going to become closer in their relationship.
Sully’s commanding officer, Col. Miles Quaritch (Stephen Lang), expects him to gather intelligence on the Na’vi defense and capabilities in an effort to secure the valuable minerals beneath the Na’vi settlement. It seems that a mining company wants the minerals at any cost. As Sully bonds with these people and realizes that what the military plans to do, he has a change of heart and rallies all the villages to band together for a last stand and a simple battle between good and evil ensues with the Na’vi hopelessly outgunned and overly matched.
The story is simple with political overtones about preserving a green planet and the clash between science and the military. This military is an extension of the bad asses in Cameron’s Aliens. There are obvious parallels to the Iraq War with its natural oil resource. You can see elements of The Matrix with its out of body experience, and Star Wars: Return of the Jedi with its David versus Goliath setup. Any fan of old Tarzan films knows how nature is harnessed by the hero. You get the feeling that this planet’s life force is a collective much as the trees in The Lord of the Rings trilogy and that something extraordinary might happen. The avatar plot device bares loose similarities to the 1960’s TV show Outer Limits episode Chameleon. While Jake has damaged legs, he is able to revel in his new body and experiences what amounts to a rebirth. His initiation into Na’vi life is not dissimilar to the initiation rites in Dances with Wolves.
Apparently Cameron has been gestating this idea for many years, waiting for movie technology to catch up to his complicated visuals. It was worth the wait. He has always been at the forefront of state of the art effects (The Abyss, Terminator 2) so it comes as no surprise that he has single handedly elevated the creative possibilities of 3-D presentation to the mainstream. Cameron does not resort to using 3-D as a gimmick by simply throwing objects at the screen but rather organically and even shots of the planet’s jungles are fully realized settings with plant life and insects that jump out of the screen. The motion capture compliments and reflects real acting. What is remarkable is that this film is simultaneously demonstrating multiple visual effects in a seamlessly integrated presentation courtesy of Cameron’s fertile imagination.
Production values don’t get any better. James Horner composes an energetic yet tender score that evokes his own Titanic and Glory. Although the second half settles into a more conventional war film, that’s a minor complaint. There is a reference to Jake’s late brother (a subplot that does not add much to the story) who was originally slated for the mission.
Worthington and Saldana (Star Trek), in expressive motion capture, do a very solid job of emoting real feelings and making their love a tangible, believable union. Lang has an intimidating presence as the military commander and it’s nice to see his career resurgence (Public Enemies). Weaver lends strong support as the wise, impassioned scientist who will defend the Na’vis even with her life.
Make no mistake: this is a groundbreaking film in terms of technical achievement and theatrical presentation. It needs to be experienced in 3-D to get the complete experience. Do yourself a favor and immerse yourself in this landmark film.
**** of **** stars (especially the first half)
Nominated for Best Picture 2009
No comments:
Post a Comment