Brad Pitt has gone from youthful sex symbol to versatile actor and producer. His biggest project to date is this filmic adaptation of Max (Mel’s son) Brooks’ novel, World War Z, chronicling a massive, worldwide zombie apocalypse. For a subgenre that has ranged from classic horror, (Night of the Living Dead), to science fiction, (Resident Evil), to modern updates, (Dawn of the Dead remake), and parodies, (Zombieland and Shaun of the Dead), this film represents a rare depiction of the zombie invasion as a global, mass annihilation. Previously, these films focused on a small group of survivors (TV’s The Walking Dead) with a news blackout and no idea as to the magnitude of the infection. After publicized problems with the screenplay and director Mark Forster’s (Monsters Ball, Finding Neverland) rough cut (particularly a climactic battle scene), a new ending was shot, and the result is a remarkably engaging film.
Gerry
(Brad Pitt) and his wife, Karin (Mireille Enos), ready their two daughters for
school and get caught in a traffic jam in downtown Philadelphia. Suddenly all
hell breaks loose and panic sets in amid an invasion of zombies who are bent on
mindlessly attacking and converting humans into the undead. As cities fall worldwide, the infection
spreads exponentially with startling speed as the family flees to Newark for
supplies and a lifeline from Gerry’s former UN boss, but while the family finds
a brief refuge aboard a US Navy ship, Gerry
is called into service to find the source of the infection or risk having his
family kicked off the ship as non-essential personnel. Tracking down random clues across the globe
in such disparate locales as South Korea, Israel, and Wales, the trail for a
cause and potential cure proves challenging as time runs out on humanity.
In
many ways, this film, which shares much
in common with pandemic tales as Contagion,
Outbreak, and The Andromeda Strain,
is more a thriller than horror, and that’s not a bad thing. Rather
than relying on gross out murders and graphic blood spattered effects, this
film looks at the bigger picture without sacrificing the more intimate moments
of sheer terror, not an easy balance. Don’t
let that PG13 rating fool you! Some
scenes are suspenseful and agonizing as the threat of zombies is ever
present.
The film,
particularly in the Newark apartment scenes and an unbearable moment of truth
at a World Health Organization lab, is like one big funhouse ride where the
scares are just around the corner. Other memorable set pieces
include the opening pandemonium in Philly, which is well crafted and builds to
an alarming level, a walled in city of Jerusalem stunningly challenged by a growing
sea of undead, and perhaps the best moment, a horrifying passenger plane flight
from hell that starts innocently enough but quickly devolves into an impossible
situation.
The
film takes the scary notion of fast running zombies from 28 Days Later and adds even more lethal traits as in their ability
to not only swarm like insects, but to hurl themselves with great ferocity at
their intended victims even through car windshields. Their victims aren’t devoured as in other
films, but rather a bite turns them into more zombies almost instantaneously. They are also real sensitive to sound as
Gerry learns at the worst possible moment.
What distinguishes
this film above most others is its smarts.
The script, while written by many hands, still shows an intelligent
approach to a devastating crisis, and the dialogue never sounds phony.
Further, the film is like one big mystery with nature’s clues in full
view waiting for Gerry to piece together a solution. Some of the plot points are a bit open ended
and push the limits of plausibility, but things move so swiftly and
convincingly, that most won’t mind.
The
supporting cast is effective in brief roles with a strong turn by Daniella
Kertesz as a soldier. But this is Pitt’s
show, and he is the right leading man who has the presence and charisma to
carry even a zombie film. Being able to improvise and display cool under pressure,
he is the ideal savior that the world needs.
Perhaps his Gerry is guilty of being too perfect, but he does it so
well.
(It
is amusing to note that Gerry and his family become guardians of an orphaned
boy, and one wonders if Angelina Jolie was smiling at the parallels with her
and Pitt’s real life, nuclear family.)
With
a mega-budgeted production, the CG effects are a standout especially when creating
the hoards of zombies, and there are many effective camera shots with some particularly
startling, overhead views. There is also
great use of sound effects that add to the visceral chills while the brooding,
pulsing music score (Marco Beltrami) complements the tension.
A thrill ride from
beginning to end, World War Z is a
thoroughly entertaining, scary epic that takes the zombie lore and heightens
the stakes with an impressive budget and a star turn by an actor/producer at
the top of his game.
*** ½ of
**** stars (subtract ½ star for non-zombie/pandemic enthusiasts)
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