Vertigo

Vertigo
Vertigo

Wednesday, February 28, 2018

The Exuberance of THE GREATEST SHOWMAN


Lots of enthusiasm and energy highlight this fanciful imagining of legendary showman P.T. Barnum in this excellent musical featuring Hugh Jackman in a well-rounded performance.


P. T. Barnum (Jackman) is a dreamer who envisions big things and a better life with childhood sweetheart, Charity (Michelle Williams).  Unemployed, he improvises a new kind of entertainment drawing from unusual, shunned individuals with physical oddities, which grows into a circus of performing artists who are shown to have feelings and form a bond amongst themselves. Barnum then partners with playwright Phillip Carlyle (Zac Efron) who is smitten by a black, female trapeze artist, Anne (Zendaya).  As news and popularity of the unique performers spreads, trouble comes from locals who dislike the ‘freaks’ as well as art critics who resent the fake show. When tragedy strikes the circus, Barnum and Carlyle are at a crossroads.


Jackman is marvelous as the triple threat performer singing, dancing, and acting with gusto and bravado. His Barnum is more idealized showman than a con artist.  He is well supported by Williams (Mudbound, All the Money in the World in one year!), while Efron and Zendaya shine as would be lovers.


The film hums along at an excellent pace with beautiful, fluid camerawork, rapid edits (and seamless transitions), and sharp choreography.  There are a number of standout musical numbers featuring tuneful songs amid colorful sets and costumes.  The songs are melded seamlessly in a natural expansion of plot and mood, no easy feat.

Directed with zeal by Michael Gracey and written by Jenny Bicks and Bill Condon (Dreamgirls, Beauty and the Beast), the film deals with various themes including class disparity, racism, and discrimination. It’s an old fashioned musical that incorporates contemporary themes for an MTV audience.  Well executed. 

***1/2 of ****stars

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