In the 1920s, the stately Downton Abbey is about to be visited by the King and Queen, and feverish preparations and power struggles ensue that impact the family and its servants. When a mysterious heir to the Downton legacy appears, a major showdown brews with some revealing surprises and truths. Old relationships are rekindled and new ones are forged as the whirlwind royal event takes center stage with a whiff of conspiracy.
For
those unfamiliar with the show, it works as a marvelous period drama, but there
are numerous subplots and familiar faces whose histories have become such canon
that faithful legions will be rewarded as it sets up intriguing situations
going forward. The returning cast has
retained its endearing chemistry and is highlighted by Maggie Smith as the
matriarch who gets some juicy moments.
This
film adaptation is more lavish in scale (a royal ball is a magnificent set
piece,) with beautiful, fluid camerawork and extremely well-paced editing. The set designs and period costumes are
complemented by a magistral score.
Julian
Fellowes’ (Gosford Park) sharp screenplay juggles interweaving
storylines (each of which could serve as a TV episode), effortlessly shuffling
back and forth among a dozen sets of characters while contrasting the lives of
aristocracy and servant class. Above
all, there is the honor, pride, tradition, and family. The film never minimizes its grandeur nor
does it glamorize at the expense of its rich characters and themes.
***1/2 of **** stars (add ½* for Downton Abbey fans)
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