Vertigo

Vertigo
Vertigo

Sunday, January 31, 2021

The Impenetrable TENET

 


Director/Writer Christopher Nolan (Dunkirk) challenges his audience with Tenet, a mind bending, ambitious, and at times overwhelming adventure. It melds two distinct genres, spy and science fiction into a dazzling display of imagination.

Beginning with a terrorist attack at a crowded concert venue, the ‘Protagonist’ (John David Washington) is drawn into a desperate mission to seek the source of a mysterious, potentially world altering paradox called ‘inversion’. With a special agent (Robert Pattinson), the trail leads to a ruthless, powerful Russian (Kenneth Branagh at his villainous best) and his estranged wife (Elizabeth Debicki). As the stakes rise astronomically, the threat of world annihilation becomes real unless the agents can somehow intervene.

The control of one’s destiny and the bond between parent and child are recurring themes in Nolan’s films where his characters are at the center of extraordinary, transformative events. Further, he has always been fascinated with fragmenting and scrambling linear narrative (like Momento). The film’s plot device is an intricate concept (even more convoluted than his great Inception) like pieces of a very complicated puzzle that slowly come together. Though confusing at times, the best thing is to just go with it (and watch it again). A miniseries could have been a better format.

With his excellent cast (Michael Caine, makes another appearance), Nolan devises some wonderfully elaborate set pieces including an airport heist and a couple of wild chases with an added dimension unlike anything you’ve seen.  He is obviously exercising his affinity for James Bond films.

This is moviemaking on a superior level with its sweeping scope of locations and production value.  If only the plot was a bit easier to follow.  I give Nolan credit for sheer audaciousness in aiming high and just missing the mark.

***1/2 of **** stars (for Nolan fans)





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