Written and directed by Martin McDonagh (Three Billboards Outside Ebbing, Missouri), The Banshees of Inisherin is an unusual, intimate study of human behavior in an isolated setting, Brilliantly acted, it’s also one of the best films of the year.
In a small, island village off the coast of Ireland in 1923, a farmer, Pádraic (Colin Farrell), is stunned by the abrupt end of a friendship with his drinking buddy Colm (Brendan Gleeson). His sister (Kerry Condon) and friend, Dominic (Barry Keoghan), try to console him, but Pádraic desperately tries to understand what has happened and to salvage their relationship. Resolute and determined, Colm responds by issuing a shocking and ominous response. What follows goes beyond the simple bond between two men and taps into inner demons and unleashes the longings of each person.
This minimalist drama, with flourishes of humor (featuring one of the most unusual confessional scenes you’ll see,) and tragedy, could easily have been adapted for the stage. Its emerging themes of loneliness and purpose take on almost a mythic, classic tragedy. Colm’s sudden change and unyielding stance creates a mystery and forms the backbone of the narrative as both leads are in different stages of reexamining themselves.
In
support, Condon and Keoghan are quite impressive, etching memorable characters
with their own life ambitions. Beautifully
shot, the landscape and even animals like a dog and donkey serve as significant,
supporting players.
The story touches
upon one’s legacy and portrays life as a delicate, fragile balance. As such, it’s a film that won’t
register for some people looking for easy resolutions and explanations; rather,
it needs to be simply experienced as an acting showcase. Those who are game
will be rewarded. Oscar nominations will
surely follow.
***1/2 of
**** stars (add ½* for Gleeson and Farrell)
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