Adapted
and directed by Cord Jefferson, American
Fiction is a marvelous character
study featuring a winning performance by Jeffrey Wright. With a fascinating
premise and incisive commentary, it is a sharp satire that deftly balances drama
and humor in equal measure.
A frustrated writer, Thelonious “Monk” Ellison (Wright) takes an extended leave and cares for his ailing mom. His publisher wants him to write a book on the black experience which he resists. Meanwhile he befriends a female lawyer while reconnecting with his siblings who are going through major crises of their own including divorce, financial difficulties, and personal loss. When Monk decides as a joke to pen a phony novel about authentic black life as written by a felon, the publishing world embraces it much to his surprise. Then movie producers come calling, and his newly minted best seller is up for a major literary award creating a potential embarrassment. Can he make this impossible scenario work or will it all come crashing down?
After years as a supporting actor, this is Wright’s chance to shine as a leading man, and he succeeds brilliantly. At times an idealist and cynic, Wright’s Monk is totally convincing and generates sympathy as a somewhat self-centered bachelor learning to take responsibility for his family. His scenes pretending to be a black criminal while talking to publishers are a hoot.
This
gem of a screenplay is sensitive as it is hilarious, and with a story that says
much about the hypocrisy and stereotypic expectations of audiences, it’s also about revisiting the past and the meaning
of family. The outrageous ending (that
screenwriter Adaptation’s Charlie
Kaufman would approve) and a strong supporting cast led by Sterling K. Brown result
in a film hitting all cylinders and a joy from start to finish.
*****
of ***** stars
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