When Batman Begins (2005) reenergized the franchise with its dark, brooding vision and Zen beginnings, it looked like the followup could be primed for even better results. The higher expectations have not only been met, but are exceeded in The Dark Knight. Featuring a diabolical performance by the late Heath Ledger, this is a terrific film that takes the franchise to darker places, and it is a milestone in comic adaptations and certain to alter the course of such films in the future.
An elaborate bank heist is engineered by the ruthless Joker who is stealing from and toying with the mobsters of Gotham City. Batman (Christian Bale), the caped crusader, watches over the city aiding police Lt. James Gordon (Gary Oldman). Although Batman is an outcast in society, his true identity is billionaire Bruce Wayne, Gotham’s revered benefactor. A new ‘face’ in the form of District Attorney Harvey Dent (Aaron Eckhart), has arrived to clean up crime. Dent is a supremely confident, dynamic ‘white knight’ who means business, and he is dating Wayne’s former love, Rachel Dawes (Maggie Gyllenhaal). As Wayne Enterprise’s Lucius Fox (Morgan Freeman) upgrades his armor and weaponry, Batman must confront the Joker, who consolidates his power and rule over Gotham’s mobs and begins to target city officials including Dent for assassination. When Dent sets himself as bait for The Joker, Batman must chase down and save the district attorney and Rachel from certain death. Meanwhile, a new villain emerges from an unlikely source. Racing against time, Batman is forced into a life and death choice, and he must decide if he should make a sacrifice that will forever change the course of Gotham’s heroic avenger.
Directed by Christopher Nolan (Batman Begins, Momento) in arguably his most accomplished work, this mature, psychological movie takes its themes seriously and weaves subplots upon subplots. For instance, how does a group of people respond when its morality and survival instincts are tested to the limit? You may be surprised and thrilled by the answers. The plot twists are so numerous, you wonder, ‘am I really watching an action picture?’ By the end, the franchise is launched into a new, uncertain direction. Bravo to the filmmakers for not playing it safe.
Whenever Ledger is onscreen, he is simply terrific. There is not one false note or boring moment as he lights up the screen. With his body language, every inflection and facial expression all working in concert to create a horrifying persona, he is so convincing, you cannot imagine that it is Heath Ledger. He is complemented, as are the other leads, with a well written script full of memorable lines. This Joker is a far cry from previous incarnations (Cesar Romero, Jack Nicholson) of the clown prince of crime. When Wayne tries to fathom The Joker’s motivations, Alfred counsels him and states, “Some men want to watch the world burn.” This Joker is grounded in real evil and is thus all the more menacing. We get bits and pieces of Joker’s sordid, traumatic past, which are totally credible in explaining his origins. Essentially an urban terrorist, he threatens the innocent and causes them to live in fear, and he kills with no remorse. There is no logic to his acts, and yet he is a brilliant, clever strategist. Batman follows his own set of rules, but must he sink to Joker’s level in order to combat him?
If The Joker is like the devil, then Batman is almost a Christ-like figure, one with self doubt and who is willing to protect the innocent even if it means taking on or absorbing the sins and pain of the world around him. Christian Bale continues to impress by portraying dual characters (Bruce Wayne/Batman) effectively and playing off the likes of Freeman and Caine, who make the most of their supporting roles. Eckhart is convincing as Dent, a role much more developed and utilized than in Batman Forever. Gyllenhaal (replacing Katie Holmes) does quite well as Wayne’s former flame. Oldman is very good as Gordon which is quite the change of pace from having previously played evil villains (JFK). In fact, Oldman, Freeman, and Caine form the moral compass of the film.
With a talented cast bringing well rounded characters to the screen, Nolan keeps things grounded and never loses track of his story. A Gotham car chase and Hong Kong escape are breathtaking sequences yet wholly believable. You don’t think of anything as computer generated or overdone, which is remarkable in this age of special effects. Are you listening Michael Bay (Armageddon, Con Air)? There are several well composed shots that are iconic and haunting. The hardware is eye-catchy including the Batmobile and a scooter like none you’ve ever seen. Pacing is methodical but it seems a bit choppy and jumpy by cramming in so much narrative material into a 2.5 hour running time. The camerawork is at times quite fluid and dazzling by enhancing the mood or (in The Joker’s case) madness.
There are a couple of moments that are a bit misleading or confusing such as an assassination attempt that may have claimed a key character’s life. And the villain’s fate is sort of, how shall I put this, left hanging? But these are tiny quibbles in a film vastly richer than any comic book adaptation (Spiderman 2 and Iron Man are in this elite company) to date. Rated PG-13, this is essentially an R rated film in spirit and not for younger children. It is creepy and sustains an overall dark, violent mood throughout. Go see The Dark Knight for a multi-layered story that challenges and surprises. Go see the wonderful acting and writing led by maestro Nolan. But most of all go see a burst of genius that was Ledger’s brilliant, last hurrah.
**** of **** stars
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