Frank Herbert’s classic novel Dune, gets an epic adaptation by Denis Villeneuve (Blade Runner 2049) who mounts an impressive production that begs for a second act.
Arrakis is a ravaged planet with invaluable spices treasured by the ruthless Harkonnen who, at the order of The Emperor, are replaced as miners by Duke Leto (Oscar Isaac) and the Atreides clan. The indigenous Fremen resent outsiders and live underground hiding from monstrous sandworms. Leto’s son, Paul (Timothée Chalamet), trains as a warrior and develops his telepathic visions gleaned from his mother (Rebecca Ferguson). Leto wants to bond with the Fremen, but outside machinations conspire to destroy the Atreides and dominate the Fremen. Loyalties are tested, and all hope centers on Paul, who may or may not be a prophesied Messiah.
It is obvious the filmmakers strove for a coherent narrative from a complex story and have largely succeeded. Themes of destiny, family, and survival are given emotional heft by well-developed relationships. The dream cast is formidable including Josh Brolin, Zendaya, Jason Momoa, Stellan Skarsgård, Javier Bardem, and Dave Bautista.
Filled
with memorable imagery and visual effects, the film has the scope of one big sensory
experience with beautifully shot sets and costumes while Hans Zimmer’s brooding
score is a standout. It’s a wholly
conceived and imagined world that needs to be seen on the big screen (IMAX).
Covering
half the narrative of the 1984 version, this film takes its time to hit the
right notes. After a promising setup, the story stops short with the aspiration
for renewal and hope. The opening title says DUNE Part One; it would be essential for the studio to complete this
ambitious journey where science fiction
becomes art. Those who are patient will be rewarded.
**** of **** stars (for Dune/sci-fi purists)
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