In
1980 at an English seaside, Hillary (Colman) is a middle aged worker at a majestic
movie house. As we learn more about her, we find a desperately lonely woman who
has a traumatic history that has led to her simple, solitary life and acquiescence
to the unsavory dalliance of her lecherous manager (Colin Firth). When she takes
a fancy to a new employee, Stephen (Michael Ward), who dreams of going to
college, her world is changed. Stephen
is a young, black man who is subjected
to racism and violence, and as the theater prepares for a grand premiere of
Chariots of Fire and accompanying
luminaries, Hillary must confront her
own damaged soul. The stage is set as tensions mount and hidden secrets
emerge.
This
is meticulously directed and well-acted by an ensemble led by Ward and the ever impressive Colman, whose sensitive
performance exposes Hillary’s shame, fear, and anger all of which manifest into
startling moments. There are memorable scenes including New Year’s fireworks on
a rooftop, a stunning confrontation at the premiere, and the very act of
watching a movie which becomes a revelation for one person.
The film’s deliberate pace may test audiences, but it is clear that the time and place have a deep meaning for Mendes personally. Those who have worked in a movie theater (including yours truly) may find an instant connection to the film’s setting as it features beloved titles of the day including Raging Bull, Stir Crazy, and Being There. It’s a valentine to cinema with a compassionate turn by Colman.
***1/2 of ****stars (for movie theater lovers)
No comments:
Post a Comment