Suggested by actual events of the Abscam sting in the 1970s, the FBI plans to setup and arrest corrupt politicians. How they get the officials and the professional con artists that help the sting operation are the basis of a nostalgic film. As directed and co-written by David O. Russell (Silver Linings Playbook, The Fighter), American Hustle is an acting clinic highlighting a convoluted tale of men and women who are looking for a big score.
In 1978, ambitious FBI agent Richie DiMaso (Bradley Cooper), forces con man Irving Rosenfeld (Christian Bale) and his mistress, Sydney Prosser (Amy Adams), to help arrange a con on white collar crime, specifically targeting corrupt politicians. Richie wants to make a name for himself, and he is immediately attracted to Sydney and has designs on her beyond the con. Starting with a local, beloved mayor, Carmine Polito (Jeremy Renner), high level political figures are drawn in, and there is the possible organized crime connection. Further, Irving’s wife, Rosalyn (Jennifer Lawrence), threatens to derail the sting. As Richie’s grand plan comes together, things get more complicated and risky, and Irving and Sydney must rely on their skills to survive.
These are very well etched characters. Each has something to gain, and each has an angle to exploit, whether it’s Richie’s dreams of a big bust or Rosalyn’s threats to expose the operation. Kindred souls and survivors, Irving and Sydney have mastered the art of deception and manipulation. You feel a degree of sympathy for Irving despite his criminal past and his marital discord. Not only does he love his women, but he tries to save a friend from jail. Irving turns out to be someone to root for. In fact the world is not black and white especially when an FBI agent breaks the rules and gets involved with one of the principals. Carmine is the noble, elected official who truly believes in doing good for his community. Just who are the good guys and bad guys? Just who is conning who?
Memorable scenes include a catty confrontation in a women’s restroom, the faceoff between Richie and his beleaguered boss (played to great effect by Louis C. K.), and an incredibly tense meeting with a head mobster (Robert DeNiro in a lethal cameo).
Acting is superior throughout as expected in a Russell ensemble with the principals at the top of their game. Bale transforms his physical appearance as an overweight, balding schlep (a far cry from The Dark Knight’s Batman). A sultry Adams (Doubt, Her) has a great time playing a kindred con artist with a British accent. Cooper (Limitless, The Hangover) has a ball as the gung ho agent with a 1970s perm who will step over his boss to get his time in the sun. Lawrence (The Hunger Games, Winter’s Bone) excels as the wife who exhibits a bold brashness in public which delights her onlookers but risks blowing the sting.
There is liberal use of 1970’s pop songs which blend with the costumes and hair styles seamlessly. The camera work is fluid and is reminiscent of early Martin Scorsese films. There is a very carefree attitude in the film’s look and feel which is consistent with this loose, uninhibited decade.
A slice of the seventies with freewheeling hustlers and loose morals, at its core, American Hustle is a love story centering on Irving, an imperfect con artist and the women in his life. The film is essentially a con within a con and keeps you guessing until the end. Although the film’s narrative is not as tight as it could have been, Russell has sacrificed a tiny bit of substance for style. Do admire this film for the many scenes that pit flawed characters against each other. Acting does not get much better than this.
***1/2 of ****stars
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