Vertigo

Vertigo
Vertigo

Monday, November 18, 2019

PARASITE and Living the Good Life



Don’t be misled by the title; Parasite, an original film by director/co-writer Bong Joon-Ho (Snowpiercer), is a fascinating suspense drama unlike any conventional story.
An unemployed family of con artists takes advantage of any opportunity including free Wi-Fi and more. One day, the son’s friend offers him a job to tutor a girl whose family lives in an upper class home complete with chauffeur and housekeeper. The son then exploits his relationship with the wealthy family particularly its trusting mother to benefit his own family members.  One family assimilates and becomes ensconced in another family’s lifestyle, but despite this golden opportunity, can something or someone trip them up and expose their illicit scheme? And what secrets might this house have that is unbeknownst to both families? It all culminates at a lavish party where tension and truth come to a head.


Essentially a methodical con game that gets flipped upside down, the film is a fascinating contrast in social classes and explores the facades that people display.  Ironically, this family with its larcenous vocation, watch over each other and has its own hopes and dreams amid hopeless surroundings. Part of the fun is watching how these opportunists manipulate the wealthy household, and you almost root for and care about these would be criminals to succeed.  This moral ambiguity smacks thematically of Alfred Hitchcock.


Well directed and acted, the film is beautifully shot and well-paced with a narrative that goes in unexpected directions while maintaining your attention. Audacious in spirit and remarkable in its simplicity, it is one of the most daring pieces of cinema in recent years.  Don’t let the Korean with English subtitles dissuade you. This captivating sleeper of the year will make noise come Oscar time.  


**** of **** stars

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