War as Satire in JOJO RABBIT

Jojo Rabbit is an irreverent satire of Nazism in World War II by gifted writer/director Taika Waititi (Thor:Ragnarok). 

Jojo (Roman Griffin Davis) is a German, ten year old boy being trained in Hitler’s Youth.  His mother (Scarlett Johansson) dotes over him while his secret friend, Adolph Hitler (Taika Waititi is a riot), at least in spirit (much like Elvis in True Romance), counsels him.  One day he discovers a Jewish girl, Elsa, hidden in his home by his mom. Try as he may, Jojo is not a soldier at heart and begins to question the persecution of Jews by the Nazis.  As the war winds down and desperation sets in, he must confront his deepest fears and humanity.

You care about Jojo, a lonely boy growing up in a world at war. The film, which balances a free spirit with the grim realities of war and racism, can be summarized in terms of Jojo and his evolving bonds among his mom (who teaches him about life), Elsa (who helps him discover love), and his imaginary friend, Adolph.  With sharp, amusing dialogue throughout that avoids falling into parody, there are effective, touching scenes highlighted by a tense visit from the Gestapo and a surreal climax.

The impeccable cast is led by Davis, Johansson (building an Oscar portfolio this year), Waititi, and Sam Rockwell, who shines in support as a Nazi officer. 

It’s a deceptively simple premise that never loses sight of the human cost of war as endured by Jojo and Elsa, and how, amid human persecution and evil, hope and good can come from the unlikeliest of places.  Not for all tastes, but if you are game for an offbeat, touching tale, this is a gem. 

***1/2 of **** stars (add 1/2* for fans of irreverence)