Vertigo

Vertigo
Vertigo

Sunday, April 12, 2020

The Return of RICHARD JEWELL


Richard Jewell is a very good film with standout acting and a fascinating reevaluation of a controversial figure in the Atlanta Olympic bombing.


In the late 1980s, Richard Jewell (Paul Walter Hauser) struggles with his overzealous nature through a series of jobs that are on the peripheral fringes of his desired career in law enforcement. Living with his mom (Kathy Bates), he has an opportunity to work security at the 1996 Olympics in Atlanta. One fateful night at Centennial Park festivities, he notifies authorities of a mysterious backpack which explodes with deadly results. Jewell appears to be a hero until a suspicious FBI agent (Jon Hamm) and an eager reporter (Olivia Wilde) point to Jewell as the prime suspect in the bombing. Faced with condemnation and circumstantial evidence, Jewell enlists a lawyer (Sam Rockwell in a terrific turn) to defend him as the media frenzy reaches a crescendo.


Hauser is excellent and totally convincing as Jewell, not too bright but with a good heart, who dreams of a better life for himself and his loving mom. Bates lends strong support that culminates in a press conference that is a key emotional moment.    Although Wilde’s character is conniving to the point of being clichéd, the film never loses focus.


This is an interesting study in celebrity and fame; it’s also astonishing how quickly Jewell is perceived as hero then villain and his life ruined. The interview techniques used to trip or trick Jewell are as appalling as how Jewell and his mother’s world are upended.

It’s a story worth telling and done so with the typical Clint Eastwood craftsmanship where his methodical filmmaking (the bombing is shot with heightened realism and maximum impact,) produces an emotional, heartfelt reaction.  One of Eastwood's best biopics.

***1/2 of **** stars

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