Vertigo

Vertigo
Vertigo

Sunday, April 12, 2020

War as First Hand Participant in 1917


Imaginatively staged with breathtaking moments filled with suspense and irony, 1917, inspired by director Sam Mendes' grandfather's experiences in World War I, is a remarkable cinematic triumph.


In France during World War I, two British soldiers are given a daunting mission to warn the front line that they are heading into a trap set by the Germans. One of the soldiers has a brother in harm’s way. Thus begins the harrowing journey of survival and a perilous race against time through war-torn enemy battlefields, booby traps, German snipers, and more.  In the compelling climax as British troops prepare to advance, will they be warned in time and who will survive?


This film has such a basic, simple premise, but the way it is presented is a meticulously choreographed narrative that unfolds as purely visual technique in a seemingly single shot with no cuts, something that has rarely ever been attempted in a major movie (Hitchcock’s 1948 Rope comes to mind).  The camera movements and action are so well staged, the film flows from location to location seamlessly with the audience given a subjective point of view to witness unfolding events first hand. Mendes and Oscar-winning cinematographer Roger Deakins have accomplished a remarkable achievement in filmmaking by not only pushing the limits of narrative exposition, but presenting an engaging, immersive experience in war.


The two, relatively new leads, George MacKay and Dean-Charles Chapman, are excellent and surrounded at key moments by  noted actors, Benedict Cumberbatch, Colin Firth, Richard Madden, and Mark Strong.   

Filled with memorable images and set pieces, and with its desperate search, echoing Saving Private Ryan, this is one of the greatest war films ever committed to celluloid.  Should be seen on a big screen.

**** of **** stars

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