Vertigo

Vertigo
Vertigo

Tuesday, April 24, 2018

THE FLORIDA PROJECT and Its Microcosm of Survival

The Florida Project, a low budget independent film with heart by director/cowriter Sean Baker, features genuine performances by a young cast anchored by the wonderful Willem Dafoe.
Kids living in a rundown motel on the outskirts of Disney World, find ways to cope and survive as they form a bond in a community amid hopelessness.  The nearby, colorful retail stores form an ironic backdrop, a counterpoint to the poverty. Bobby (Dafoe), a harried manager with a conscience, keeps the motel running; he is the voice of reason and tries to bring order to the chaos.  He chastises the kids for mischief and yet protects them when a potential pedophile approaches them.  Little Moonee (Brooklynn Prince) and her mom, Halley (Bria Vinaite) make the best of their situation. Halley loves her daughter and tries to shield her from the harsh realities of life even as she desperately cons, flimflams, and tricks her way to make a buck.  When social workers confront her mom and threaten to uproot her life, Moonee searches for a source of salvation.   
Much of it seen from the kids’ point of view, it’s a revealing look at this microcosm of a world with its myriad of unusual characters and situations.  Prince and Vinaite are very convincing as daughter and mom, but it is Dafoe who shines in support of the whole cast. It’s his best role in years.
The final, emotional scene is an inspired moment of fear, desperation, and one of hope. It elevates a very good film to greatness much as Places in the Heart and Planes Trains and Automobiles have final, transforming scenes.  Why this film was not nominated for Best Picture Oscar is a mystery.  Unforgettable.

**** of **** stars

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